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Ancient Chinese Painting

Ancient Chinese painting is as old as 5000-6000 years, when people began to use minerals to draw simple images resembling animals, plants and even human beings on the rocks and produce amazing drawings of models and decorations on the surface of pottery and laterbronzecontainers. However, only a few works have survived over time. The first drawings that were preserved to Today onpaperand silk were produced, which were funerary items with a history of more than 2,000 years.

As far as the subject is concerned, Chinese paintings fall into several categories, such as figure paintings, landscapes, and bird paintings andflower. European paintings, introduced in China in the 17th century, were called "Western painting" and works traditional local "Chinese painting."

As a representative of Eastern paintings, Chinese paintings differ greatly from the Western counterpart in terms of content, forms and styles. The following will give you a more vivid picture of Chinese painting exotic.

Colour Painting (gongbi) and water-ink (xieyi)

In terms of skills drawing, Chinese painting can be classified into two styles: colored paints and water-ink paintings, with the former prevailing before the 12th century by painters professional or artisan, and the second during and after the 12th century by painters educated.

Also known as "fine time" paintings, paint color characteristic attention to detail and fine brush. Thank you to the mineral colorants fact, the original colors can be fully maintained and the paint will not fade away as time passes. Color paints, manifested themselves unmatched air sublime, was widely welcomed among painters to serve in the royal courts.

On the contrary, water-ink paintings, also called "thick-time" paintings, are expected convey spiritual resonance with lines as simple as possible, instead of attaching great importance to realistic topics.

Exaggerated forms, as the generalization and hyperbole and rich imagination, are used in paint to show feelings of painters. Therefore, it is relatively difficult to make a copy of a watercolor, ink.

Nevertheless, there is no absolute line between two schools. No matter which school they belonged, and painters could have compromised a bit and learn from each other, creating a mixed style, including elements of both.

Seamless integration of poetry, calligraphy, painting and seal engraving

Painting seamlessly integrate traditional Chinese poetry, calligraphy, painting and seal engraving, which are all necessary components. As China is a ideographic language, most Chinese characters in ancient times were produced with brief shots in the forms or meanings of the signified, which of course generated an art form of calligraphy closely related to painting.

Chinese painters, literati painters in particular, have unconsciously drawn to the styles of calligraphy. Writing poetry has become an established means to express their feelings during the process. Ultimately, in the tradition of Chinese literati, with red seals engraved their names have been used to sign their works, a tradition that continues to date.

In fact, Chinese paintings clearly show that the Chinese believe in a holistic manner. In other words, before shooting, painters must have an overall planning for the content of poems, the style of calligraphy, and where the work must be signed. The criterion of "painting in poetry and poetry in painting" for good works was originally set by Sushi (1036-1101), painter and writer well known in the Northern Song Dynasty (960-1127). Other painters then took this idea in high esteem.

A clear distinction between Chinese and European paintings lies in the fact that a piece of empty space is always reserved in paints China for the clouds over the mountains, fog haunt the rivers above the circles of light reflected from the sun or moon, or anything at all. Some argue that the "blankness" in Chinese paintings is the most appropriate vehicle to convey the uncertainty and ambiguity Featured in Chinese poetry.

Figure paintings , landscapes and flowers and birds paintings

Ample evidence can be found in the fine arts as paintings of Archaeology with people that the subject has proved be first among all categories of Chinese paintings and used to enjoy prosperous development. Dating back to the primitive age, ancestors drew pictures of people and animals on the walls and rocks with white stems, bauxite red or charcoal.

However, figure paintings are not fully developed until 1500 years ago, when Gu Dangzhi (348-409), the famous painter and art theorist, argued that more attention should be paid not only to the outward forms of figures, but also internal quality. Below, this argument was accepted by the artists and critics and taken as a rule established guide the future production of similar articles and comments.

As the largest category and most influential among the Chinese paintings, landscape paintings, which came into being much later and is growing rapidly in the Tang Dynasty (618-907), mostly taking pictures of landscapes such as mountains or rivers, as the subjects. Over the long history of paintings in ancient China, most of the painters specializing in landscapes.

Landscape painting could reach its peak and to maintain its dominant role in Chinese paintings because of its deep roots in traditional Chinese culture. Chinese philosophers in ancient times believed in "unity human beings and the sky, "meaning that human beings can feel nature and should be in a harmonious relationship with her.

Ample evidence can be found in the fine arts as paintings of Archaeology with people that the subject proved to be the first among all categories of Chinese paintings and used to enjoy prosperous development. Dating back to the primitive age, the ancestors drew pictures of loved humans and animals on the walls and rocks with white stems, bauxite red or charcoal.

However, figure painting was not fully developed up to 1500 years ago, when Gu Dangzhi (348-409), the famous painter and art theorist, said that more attention should be given not only to the outward forms of figures, but also internal quality. Below, this argument was accepted by the artists and critics and taken as a rule established guide future production and input of similar works.

As the largest category and most influential among Chinese paintings, landscape paintings, which came into being much later and has developed rapidly in the Tang Dynasty (618-907), often take pictures of landscapes such as mountains or rivers, as the subjects. Over the long history of painting in ancient China, most of the painters specialized in landscapes.

Landscape painting could reach its peak and to maintain its dominant role in Chinese paintings due to deeply rooted in Chinese tradition of culture. Chinese philosophers in ancient times believed in "unity of human beings and the sky" This means that human beings can feel nature and should be in a harmonious relationship with her.

Originally designed for crafts, flower and bird painting finally established itself as an independent school of the Tang Dynasty. Moreover, regarded as sublime and elegant by scholars in ancient China, the so-called "four gentlemen" plum, orchid, bamboo and chrysanthemum (mei, LAN, Zhu, ju) are the subjects welcomed more Chinese flower and bird paintings.

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How can I get a very dark, smooth bottom oil painting after completing the central figures?

I tried use the amount s Mall of linseed oil with paint, but some brilliant stroke remained while others were dull if the result was stained.

A fresh coat of gloss or flat (depending on your preference) will take care of this uneven gloss or matte. To reduce brush strokes, I suggest using a fan brush to work.